The *Empheral Ages* series emphasizes how the body and mind of contemporary individuals are gradually altered by the creations of the real world through the deconstruction of time and space. It embodies the fragmentation
and reorganization of the material world within the dimension of time.

In terms of presentation, I referenced Mike Kelley's ‘Fictional Cities series’, where he combines bottom lighting to create surreal psychological landscapes, continuing the spiritual deconstruction of symbolic spaces

But in the end, I realized that while I was critiquing the age of information technology, I had used its benefits to learn technical software and printed my work using technological devices. This process itself is quite ironic. It reminded me of Martin Heidegger's Paradox of Technology:

Technology is both a tool for human liberation and a means by which humans bind themselves. While critiquing technology, you simultaneously rely on it—this contradiction is the "paradox of technology" that is prevalent in modern society.

This self-referentiality makes my work itself a part of the "paradox of technology."