In Windscript—Root Theatre: Ephemeral Choreography, I adopted a site-specific approach, utilizing grass, soil, flowers, wood ash, and rainwater from the castle grounds as natural dyes for cotton fabric. After dyeing, I cut the fabric into silhouettes of dancers and stitched them onto sheer organza, leaving long, flowing threads that drift freely in the wind. These silhouettes were then suspended between two ancient trees, which serve as pillars of the theatre—metaphors for the deep-rooted connection between dancers and the land. The choreography is ephemeral, dictated by the wind’s movement and the fabric’s response, making each interaction a unique and unrepeatable performance.